Jahnu barua

Born October 17, 1952 (age 60)
Sibsagar, Assam, India
OccupationFilm director, Screenwriter
Website
www.jahnubarua.com

Angaraag Mahanta

Angaraag Papon Mahanta
Papon performing in Coke Studio Minicert in Mumbai August, 2011
Background information
Birth name	Angaraag Mahanta
Also known as	Papon
Origin	Assam, India
Genres	Electronic fusion, Indian classical , Indian folk, acoustic folk, new age, rock, jazz and ghazals.
Occupations	Singer, musician, record producer, composer
Instruments	Vocals, tabla, acoustic guitar, piano, harmonium and khol.
Years active	2004–present
Labels	MDR Records, Times Music
Associated acts	Karsh Kale, Midival Punditz, Rabbi Shergill, Rihan Sheehan, Rachel Sermanni, Bikram Ghosh, State of Bengal, Djuma Sound System, Susmit Sen
Website	www.papon.in

Angaraag Mahanta known as Papon is an Indian singer, composer and record producer.^[1] Born to music duo and legends of Assamese music, Archana Mahanta and Khagen Mahanta, he was introduced to music early on in his childhood.^[2] His first language is Assamese and he also sings in Hindi and Bengali. His initial training was in Indian Classical and devotional and folk music. He learnt vocals primarily but also plays the khol, tabla, guitar, and harmonium. His music genres are ambient electronic, acoustic folk and new age Indian classical music and has been identified as having traces of pentatonic Mongoloid notes, local river song influences and ghazals.^[3]

Contents  [hide]  1 Collaborations 2 Papon and East India Company 3 Nomination and awards 4 Discography 4.1 Albums (Assamese) 4.1.1 Albums (Hindi) 4.1.2 Bollywood movie songs 4.1.3 Bengali movie songs 4.1.4 Singles 5 References 6 External links

[edit] Collaborations

Papon has performed with the MIDIval Punditz and Karsh Kale at various festivals around the world including the Paléo Music Festival in Switzerland, Jakarta International Java Jazz Festival in Jakarta, Mosaic Music Festival in Singapore and Oslo World Music Festival in Norway. Aside from performing with them, Papon has co-written a couple of songs with the MIDIval Punditz that featured on their third album Hello Hello which ranked among the top three songs on Amazon, worldwide. He collaborated with the Welling Jazz Band, in Wellington, New Zealand, for a project with them playing some of his music live for the festival Crossings in Wellington, New Zealand in 2007. Also in the project was Rihan Sheehan, a popular electronic artist and producer from Wellington. He also wrote a song with Karsh Kale for his new album Cinema. He is presently working on two international collaborations which will be released in 2012.
Papon released his first album, Junaki Raati in Assamese at the end of 2004, marking a new kind of regional sound. The second album he produced was Sinaaki Osinaaki, which was released in November, 2009. Papon also has sung on a few other albums produced by various artists in Assam. His first folk music album was Rangphul a Bihu album, after which he produced Gomseng and subsequently, Phagunor Gaan an album representing the typical holi songs of Borpeta in West Assam. Papon has been featured on albums by labels MDR Records, in a tie up with Times Music, and has also been featured on the soundtrack of Bollywood films Dum Maaro Dum, I Am Kalam and most recently, Soundtrack. He has been featured on the Indian leg of the show Coke Studio in MTV. He performed on the show Global Indian Film Awards with Midival Punditz, Kailash Kher and Shubha Mudgal. He also appeared on Star world India, Episode six of The Dewarists with Rabbi Shergill and recorded a song Khule Da Rabb.^[4][5]

[edit] Papon and East India Company

In 2007, Papon formed an electronic folk-fusion band called Papon and The East India Company. The band consisted of Papon on lead, Brin Desai on live electronics, Krishna on guitars, Kirti on percussion and Dipu on bass.^[6][7] The five members came from backgrounds varying from Assamese folk to metal and blues to trip hop. The band has performed twice at the SAARC Music Band Festival in New Delhi, the Eastwind Festival and the Kovalam Literary Festival and has performed overseas with Sutasi in Singapore. The band took a two year break in the wait for a solo album which is releasing internationally at the end of this 2011.^[5] The band is back in action in November with 4 big festivals in the same month. They also played at the October Fest in Bangalore, NH7 Weekender fest in Pune and the Rock for Rights concert in New Delhi.^[8] Earlier their track OMO was taken on by Saregama HMV for release on the compilation album, The Underground along with a song called Jiya Baittho Jai in an album called Sahibol. In 2008, their track called Khuda Hota was released by Dada Music an extension of Music Today.

[edit] Nomination and awards

He was nominated twice under the Best Folk Album category for his two Assamese folk albums Gomseng (Bihu) with Rashmi and Phagunar Gaan (Holi Songs) at the GIMA awards 2011.^[5][9][10] He got the award for the best male singer in the 'Prag Cine awards' 2012, for the title song 'Ramdhenu' in the Assamese movie 'Ramdhenu'.

[edit] Discography

[edit] Albums (Assamese)

• Dhulir Akakh
• Phagunar Gaan (Holi songs)
• Gaan with Zubeen Garg and Zublee
• Gomseng with Rashmi
• Junaki Raati
• Niyoror Godhuli
• Rongphool
• Sinaki Oshinaki
• Joyatu Dakhubhuja
• Phoolseng with Rashmi^[11]

[edit] Albums (Hindi)

• The Story So Far^[12]

[edit] Bollywood movie songs

• Sajna Lets Enjoy 2004^{[citation needed]}
• Jiyein Kyun Dum Maaro Dum 2011
• Zindagi Aisi Waisi I Am Kalam 2011
• Banao Soundtrack 2011
• Naina Laagey Soundtrack 2011

[edit] Bengali movie songs

• Hente Chenashona Rastay System 2011

[edit] Singles

• Khule Da Rabb with Rabbi Shergill, The Dewarists 2011

[edit] References

1. ^ "Tunes with a rare freshness". The Telegraph (Kolkata) (Calcutta, India). 29 January 2010. http://www.telegraphindia.com/1100129/jsp/northeast/story_12041480.jsp. Retrieved 22 November 2011. 
2. ^ "Watch out for Papon on Coke Studio". afaqs. 6 July 2011. http://www.afaqs.com/news/company_briefs/index.html?id=50421_Watch+out+for+the+multi-talented+Papon+on+Coke+Studio@MTV. Retrieved 23 November 2011. 
3. ^ "Biography". Last.fm. http://www.last.fm/music/Papon/+wiki. Retrieved 23 November 2011. 
4. ^ "The Dewarists – Khule Da Rabb". nh7. http://nh7.in/indiecision/2011/11/23/the-dewarists-s01e06-khule-da-rabb/. Retrieved 23 November 2011. 
5. ^ ^{a b c} Sinha, Dipanjan (18 November 2011). "Papon goes national on musical movement". The Daily Telegraph (Calcutta, India). http://www.telegraphindia.com/1111118/jsp/northeast/story_14764470.jsp. Retrieved 23 November 2011. 
6. ^ "Papon & The East India Company". nh7. http://nh7.in/paponandtheeastindiacompany/. Retrieved 23 November 2011. 
7. ^ "Almost Famous". NDTV Good Times. http://goodtimes.ndtv.com/News_Details.aspx?SubcatDetails=News,526. Retrieved 23 November 2011. 
8. ^ "Jamming for Rights". Hindustan Times. 21 November 2011. http://epaper.hindustantimes.com/PUBLICATIONS/HT/HD/2011/11/21/ArticleHtmls/JAMMING-FOR-RIGHTS-21112011108004.shtml?Mode=1. Retrieved 23 November 2011. 
9. ^ "Assamese Singer Angaraang Papon Mahanta Nominated For GIMA". manipurhub. 12 August 2011. http://manipurhub.com/ne-news/assam-news/assamese-singer-angaraang-papon-mahanta-nominated-for-gima/. Retrieved 23 November 2011. 
10. ^ "2011 Nominee". GIMA. http://www.gima.co.in/nonfilm-nominees-2011.aspx. Retrieved 23 November 2011. 
11. ^ Mahanta, Jutika (December 21, 2011). "Angarag 'Papon' Mahanta to launch new bihu album". Assam Times. http://www.assamtimes.org/social/5710.html. Retrieved January 10, 2012. 
12. ^ Fernandes, Shawn (January 6, 2012). "Papon to Launch Debut Hindi Pop Album The Story So Far". gibsonguitar.in. http://www.gibsonguitar.in/News-Lifestyle/News/hi-in/Papon-to-Launch-Debut-Hindi-Pop-Album-The-Story-So.aspx. Retrieved January 10, 2012. 

[edit] External links

• Angaraag Mahanta at the Internet Movie Database
• When it rained bands
• Song of Dum Maaro Dum

khagen mahanta

Khagen Mahanta is one of the most respected name in assamese folk music and known as the "King of Bihu". His Bihu songs, Borgeet and other folk songs are ever green to the assamese society. The great artist along with his wife Archana Mahanta and son Angaraag Mahanta represent one of the most influecial family in assamese music.

                        


 

Khagen Mahanta was born in Nagaon, 1st of january, 1942. His father was Harendra Nath Mahanta and mother was Laxmipriya Devi. He showed his musical talent from his childhood. At the age of only fifteen he started perform in the music concerts in Shillong. He voice was very much accepted by the audience. In 1958, he got the opportunity to perform from Delhi doordarshan (television) center established the very year. His program was much appreciated by the viewers.

During the "Language movement" in 1960, Khagen Mahanta got actively involved into it under the leadership of great personalities like Bishnuprasad Rabha, Hemanga Biswas, Jugal Das etc. He was member of the group called "Harmony" and popularized human values with his melodious voice and compositions. In 1961 his first gramophone recorded song was broadcasted from Guwahati All india radio center. He also participated in the "World Peace" festival in Calcutta. He was recognized as A grade artist in All India Radio and contributed in almost all genres of Assamese music like Lokageet, Okoni Geet, musicals, dramas, etc.

Old Assamese song by Khagen & Archana Mahanta

Khagen Mahanta has been felicitated numerous times nationally, internationally for his contributions. Some of his awards/ recoginitions are listed below:
1988 - Film Craft Award 1992 - Sangeet Natak Academy 1994 - Shrimoy Award 1999 - Sangeetacharya

The Mahanta family's contributions towards the Assamese music world is limitless. His wife Archana Mahanta is equally known name as Khagen Mahanta in folk music. Their duets are extremely popular to the audiences. Their son Angaraag Mahanta has also created his popularity with his soozing voice and a complete genre of modern assamese music.

Bihu

 

Bihu dancer playing a 'pepa' (horn)

Bihu team of SRM University, Chennai

Bihu (Assamese: বিহু, Hindi: बिहू) denotes a set of three different cultural festivals of Assam and celebrated by the Assamese diaspora around the world. Though they owe their origins to ancient rites and practices they have taken definite urban features and have become popular festivals in urban and commercialized milieus in the recent decades. Bihu is also used to imply Bihu dance and Bihu folk songs. The Bihus are the national festivals of Assam. The most important festivals of Assam are the Bihus, celebrated with fun and abundance by all Assamese people irrespective of caste, creed, religion, faith and belief.

Contents  [hide]  1 The three Bihus 2 Rongali Bihu 3 Kongali Bihu 4 Bhogali Bihu 5 Instruments used in Bihu 6 Others 7 Bihu elsewhere 8 Notes and references 9 External links

The word Bihu is derived from the language of the Dimasa people who have been agrarian since time immemorial. Their supreme god is Brai Shibrai or Father Shibrai. The First crops of the season are offered to Brai Shibrai while wishing for peace and prosperity. So Bi means "to ask" and Shu means "peace and prosperity" in the world. Hence the word BISHU gradually became Bihu to accommodate linguistic preferences. In Assam, Rongali Bihu draws from many different traditions— Austro-Asiatic, Sino-Burmese and Indo-Aryan—and is celebrated with great fervor. Celebrations begin in the middle of April and generally continue for a month. In addition there are two other Bihus: Kongali Bihu in October (associated with the September equinox) and Bhogali Bihu in January (associated with the January solstice). Like most other Indian festivals, Bihu (all three) is associated with farming; as the traditional Assamese society is predominantly agricultural. In fact, similar festivals are also celebrated around the same time elsewhere in India.

[edit] The three Bihus

In a year there are three Bihu festivals in Assam - in the months of Bohaag (Baisakh, the middle of April), Maagh (the middle of January), and Kaati (Kartik, the middle of October). The Bihus have been celebrated in Assam since ancient times. Each Bihu coincides with a distinctive phase in the farming calendar. The most important and colourful of the three Bihu festival is the Spring festival "Bohag Bihu" or Rongali Bihu celebrated in the middle of April. This is also the beginning of the agricultural season.Bihu is celebrated by the all parts of Assam and all cast and religion.Directly we can say that Bihu is secular festival which brings the humanity,peace and brotherhood among the various cast and religion.^[1]

[edit] Rongali Bihu

Rongali Bihu (mid-April, also called Bohag Bihu), the most popular Bihu celebrates the onset of the Assamese New Year (around April 15) and the coming of Spring. This marks the first day of the Hindu solar calendar and is also observed in Bengal, Manipur, Nepal, Orissa, Punjab, Kerala and Tamil Nadu though called by different names. It's a time of merriment and feasting and continues, in general, for seven days. The farmers prepare the fields for cultivation of paddy and there is a feeling of joy around. The women make pitha, larus (traditional food made of rice and coconut) and Jolpan which gives the real essence of the season. The first day of the bihu is called goru bihu or cow bihu, where the cows are washed and worshipped, which falls on the last day of the previous year, usually on April 14. This is followed by manuh (human) bihu on April 15, the New Year Day. This is the day of getting cleaned up, wearing new cloths and celebrating and getting ready for the new year with fresh vigor. The third day is Gosai (Gods) bihu; statues of Gods, worshiped in all households are cleaned and worshiped asking for a smooth new year.

Kopu phool (Rhynchostylis gigantea)

The folk songs associated with the Bohag Bihu are called Bihugeets or Bihu songs. The form of celebration and rites vary among different demographic groups.
Rongali Bihu is also a fertility festival, where the bihu dance with its sensous movements using the hips, arms, etc., by the young women call out to celebrate their fertility. In this aspect, the bihu dance can also be called a mating ritual by the young men and women. Bohag Bihu or Rongali Bihu festival continues for seven days.They are known as..Goru Bihu (Cow Bihu),Manuh Bihu, Hat Bihu, Senehi Bihu, Maiki Bihu, Rongali Bihu and Sera Bihu.Actually first day for to pay respect to cows and other days for social activities.(2012 by nabajit deka)

Goru Bihu

The goru bihu or cattle worship rites are observed on the last day of the year. The cattle are washed, smeared with ground turmeric and other pastes, struck with sprigs of dighalati and makhiyati and endeared to be healthy and productive (lao kha, bengena kha, bosore bosore barhi ja/maar xoru, baper xoru, toi hobi bor bor goru—eat gourd, eat brinjal, grow from year to year/your mother is small, your father is small, but you be a large one). The old cattle ropes are cast away through the legs and new ropes are tied to them, and they are allowed to roam anywhere they wished for the entire day.^[2]

Manuh Bihu

The New Year day, the day after the goru bihu, is called the manuh bihu. Elders are shown respect, with gifts of bihuwan (a gamosa), a hachoti (kerchief), a cheleng etc., and their blessings are sought. Children are given new clothes, and Husori singing begins on this day, and people visit their relatives and friends.^[3]

Husori

Village elders move from household to households singing carols, also in the style of bihu geets, called husoris. It possibly derives from the Dimasa Kachari word formation ha (land) and char (move over): hachari.^[4] Villages could have more than one Husori band, and they would visit households in a village non-contiguous to itself, first singing carols at the Naamghar. The husari singers then visit individual households, by first announcing their arrival at the gate (podulimukh) with drum beats. The singers are traditionally welcomed into the courtyard where they sing the husori songs and perform a ring dance. At the end of the performance they are thanked with an offering dakshina of paan (betel leaf) tamul (areka nut) in a xorai (brass dish with stand), whereupon the singers bless the household for the coming year. If there is a bereavement in the family, or the family does not invite the husori singers due to an illness, the husori band offers blessings from podulimukh and move on. Generally the singers are all male.^[5]

Fat Bihu

This is a very old form of Bihu, characterized by spontaneity, popular in the Lakhimpur area of Assam. According to legend, the first Ahom king, Sukaphaa, traveled to the region to watch it in the early 13th century.^[6]

Beshma

This is celebrated by koches, in this festival 'bhurbhura','shak' are marrimaking and festing,

Mukoli Bihu

Young unmarried men and women attired in traditional golden silk muga dance the bihu and sing bihu songs in the open fields. The songs have themes of romance and sexual love, requited or unrequited. Sometimes the songs describe tragic events too, but treated very lightly. The dance celebrates female sexuality.

Jeng Bihu

This is Bihu dance and song performed and watched only by women. The name "jeng" comes from the fact that in earlier days women in the villages used to surround the place of their performance with sticks dug into the ground called jeng in Assamese. It is also called gos tolor bihu (Bihu beneath tree).

Baisago

The Bodo-Kachari people celebrate for seven days—the first day for cattle (Magou), the second day for man (Mansoi) and ancestor worship, feasting, singing and merriment. Songs follow the same themes as the Bihu songs.^[7]

Bihutoli Bihu

The rural festival made its transition to urban life when it was first time brought to the stage in Lataxil field in Guwahati by the Guwahati Bihu Sanmilani in 1962, promoted by leading citizens like Radha Govinda Baruah and others. Bihu to a great extent has been popularized by the Bihu 'Samrat'( king ), of Assam, Khagen Mahanta. Unlike the rural version, the dancers danced on a makeshift elevated stage in an open area that came to be known as a Bihutoli. Many such Bihutolis have sprouted since then in Guwahati and other urban areas. The performances are not confined to the bihu dance form, but may incorporate all forms of theatrical performances to keep the audience enthralled well into the early hours. Performances could include standup comedy, to concerts by solo singers. The stage form of bihu has become so popular, that organizers have begun extending the celebrations to bohagi bidai, or farewell to the Bohag month, which are similar performances held a month later.

Xaat Bihu

Rongali Bihu also called Xaat Bihu (seven Bihus). It celebrates seven days, it's called so. On the other hand, Rangali Bihu is constitute of seven different types of Bihu -Goru Bihu (Cow Bihu),Manuh Bihu, Hat Bihu, Senehi Bihu, Maiki Bihu, Rongali Bihu and Sera Bihu.Actually first day for to pay respect to cows and other days for social activities.(2012 by nabajit deka)

[edit] Kongali Bihu

Kongali Bihu (mid-October, also called Kati-Bihu) has a different flavor as there is less merriment and the atmosphere has a sense of constrain and solemnity. During this time of the year, the paddy in the fields are in the growing stage and the granaries of the farmers are almost empty. On this day, earthen lamps (saki) are lit at the foot of the household tulsi plant, the granary, the garden (bari) and the paddy fields. To protect the maturing paddy, cultivators whirl a piece of bamboo and recite rowa-khowa chants and spells to ward off pests and the evil eye. During the evening, cattle are fed specially made rice items called pitha. The Bodo people light lamps at the foot of the siju (Euphorbia neriifolia) tree. This Bihu is also associated with the lighting of akaxi gonga or akaxbonti, lamps at the tip of a tall bamboo pole, to show the souls of the dead the way to heaven, a practice that is common to many communities in India, as well as Asia and Europe. ^[8]

[edit] Bhogali Bihu

Main article: Bhogali Bihu

Bhogali Bihu (mid-January, also called Magh Bihu) comes from the word Bhog that is eating and enjoyment. It is a harvest festival and marks the end of harvesting season. Since the granaries are full, there is a lot of feasting and eating during this period. On the eve of the day called uruka, i.e., the last day of pausa, menfolk, more particularly young men go to the field, preferably near a river, build a makeshift cottage called Bhelaghar with the hay of the harvest fields and the Meji, the most important thing for the night. During the night, they prepare food and there is community feasting everywhere.There is also exchange of sweets and greetings at this time. The entire night (called Uruka) is spent around a Meji with people singing bihu songs, beating Dhol, a typical kind of drums or playing games. Boys roam about in the dark stealing firewood and vegetables for fun. The next morning they take a bath and burn the main Meji. People gather around the Meji and throw Pithas (rice cakes) and betel nuts to it while burning it at the same time. They offer their prayers to the God of Fire and mark the end of the harvesting year. Thereafter they come back home carrying pieces of half burnt firewood for being thrown among fruit trees for favourable results. All the trees in the compound are tied to bamboo strips or paddy stems. Different types of sports like Buffalo-fight, Egg-fight, Cock-fight, Nightingale-fight etc. are held throughout the day. There are other conventional festivals observed by various ethnic-cultural groups. Me-dam-me-phi, Ali-aye-ligang, Porag, Garja, Hapsa Hatarnai, Kherai are few among them.The koch celebrates this bihu as pushna.^[9] All assamese people around the world celebrates this tradition on the month of January as per English calender. The Uruka comes on 13 January & Bihu is on 14–15 January. On this occasion every assamese people celebrates with joy.

[edit] Instruments used in Bihu

• Dhol (Drum)
• Taal
• Pepa (An instrument made of buffalo horn)
• Toka
• Baanhi (Flute)
• Xutuli
• Gogona

[edit] Others

The Kadi-Khel (a game, somewhat similar to present-day Ludo) is closely associated with all the forms of bihu. Earlier, it was mostly played in the afternoon, specially during the days of bihu, by men and women, separately, by making a temporary dice on the earthen floor, and using the dry hard coverings of small snails. However, now-a-days, it is mostly extinct.

[edit] Bihu elsewhere

Bihu is also seen to be celebrated abroad. Many Bihu associations / committees exist elsewhere where this festival is celebrated with enthusiasm. The London Bihu Committee (LBC), UK is one of them amongst others.

[edit] Notes and references

1. ^ http://bollywoodevergreen10.blogspot.in/2012/04/all-time-best-bihu-song-with-history-of.html
2. ^ Goswami 1988, p12-14
3. ^ Goswami 1988, p14
4. ^ Goswami 1988, p34.
5. ^ Tamuli, Babul Huchori: A Must for the Masses, The Assam Tribune, 2002
6. ^ Rahman, Daulat Assam initiates project to revive & popularise the festival’s oldest form, The Telegraph, June 23, 2007
7. ^ Goswami 1988, pp26-27.
8. ^ Goswami 1988, pp7-8
9. ^ [1]

• Das, Debendra Prasad Rongali Bihu through the ages, The Assam Tribune, April 14, 2007.
• Dowerah, Sawpon Rongali Bihu-the spring festival of Assam, The Assam Tribune, April 14, 2007.
• Goswami, Prafulladatta (1988) Bohag Bihu of Assam and Bihu songs, Publication Board, Assam.

[edit] External links

• Bihu Festival
• Bihu photos
• Bihu Astrology
• Bihu Husori
• anvesha.co.in- a bilingual website on Assamese traditional musical instruments

sufi

Sufi music

Sufi music singerAbida Parveen in concert at Oslo

Sufi music is the devotional music of the Sufis, inspired by the works of Sufi poets, like Rumi, Hafiz, Bulleh Shah and Khwaja Ghulam Farid.
Qawwali is the most well known form of Sufi music, common in Pakistan and India. However, music is also central to the Sema ceremony of the whirling dervishes, which is set to a form of music called Ayin, a vocal and instrumental piece featuring Turkish classical instruments such as the ney (a reed flute). The West African gnawa is another form, and Sufis from Indonesia to Afghanistan to Morocco have made music central to their practises. Some of the Sufi orders have taken an approach more akin to puritan forms of Islam, declaring music to be unhelpful to the Sufi way.

Sufi love songs are often performed as ghazals and Kafi, a solo genre accompanied by percussion and harmonium, using a repertoire of songs by Sufi poets.

assam:location and culture

Assam

Location of Assam in India

Map of Assam

Coordinates (Dispur): 26°08′N 91°46′E / 26.14°N 91.77°E / 26.14; 91.77Coordinates: 26°08′N 91°46′E / 26.14°N 91.77°E / 26.14; 91.77

Country India
Established 15 August 1947 (1947-08-15) (64 years ago)
Capital Dispur
Largest city Guwahati Districts 27
Government
• Governor J B Patnaik
• Chief Minister Tarun Gogoi (INC)
• Legislature Unicameral (126 seats)
• Parliamentary constituency 14
• High Court Gauhati High Court

Area

• Total 78,550 km2 (30,330 sq mi)
Area rank 16th
Population (2011)
• Total 31,169,272
• Rank 14th
• Density 400/km2 (1,000/sq mi)
Time zone IST (UTC+05:30)
ISO 3166 code IN-AS
HDI 0.534 (medium)
HDI rank 22nd (2005)
Literacy 73.18% (26th)[1]
Official languages Assamese; Karbi(in Barak Valley); Bodo (in Bodoland)[2]
Website- http://assam.gov.in/
 Assam has had a legislature since 1937  Assam is one of the original provinces of British India
Assam /əˈsæm/ (Assamese: অসম) also, rarely, Assam Valley and formerly the Assam Province (British India), is a northeastern state of India and is one of the most culturally and geographically distinct regions of the country. Assam was one of the original provinces[3] of the British ruled Indian sub-continent and among the original provinces of present day India,[4] having a legislature that dates back to 1937. However, present day Assam has undergone numerous territory alignment changes, with its state map being altered more than any other province's. Known for exquisite natural resources, geography and its important role in India's freedom struggle; Assam has its capital as Dispur, an especialized city circuit region located on the outskirts of its largest metropolis, Guwahati.

Assam is particularly famous for its natural beauty. The landscape includes tea gardens, the river Brahmaputra, and many historical monuments and temples. Swami Vivekananda once said that, "next only to Kashmir, Assam is the most beautiful place in India[5] A state with an abundance of forest, Assam also has five national parks, around half a dozen other wildlife sanctuaries, and is home to two-thirds of the population of the unique one-horned rhino. When it comes to wildlife, Assam too has successfully conserved the one-horned Indian rhinoceros from near extinction, along with the tiger and numerous species of birds, and it provides one of the last wild habitats for the Asian elephant. It is becoming an increasingly popular destination for wildlife tourism, and Kaziranga and Manas are both World Heritage Sites.[6]



Another aspect that separates Assam from the rest of Indian states is the rich composite culture of the state. Assamese constitute the majority of the state's population but the state has over two dozen other big and small tribal groups with many of them having their own language, script, dance forms and traditions.



Geographically, Assam is located south of the eastern Himalayas. Assam comprises the Brahmaputra and the Barak river valleys along with the Karbi Anglong and the Dima Hasao district with an area of 30,285 square miles (78,440 km2). Assam is surrounded by six of the other Seven Sister States: Arunachal Pradesh, Nagaland, Manipur, Mizoram, Tripura, Meghalaya. These states are connected to the rest of India via a narrow strip in West Bengal called the Siliguri Corridor or "Chicken's Neck".[7] Assam also shares international borders with Bhutan and Bangladesh.

 Etymology ofMain article: Etymology Assam

Assam was known as Pragjyotisha in the Mahabharata; and Kamarupa in the 1st millennium which ruled Assam for almost 800 years. The academic consensus is that the current name is associated with the Ahom rulers who reigned for nearly six hundred years, as evidenced from Satyendra Nath Sarma's quote from Banikanta Kakati:[8]



"While the Shan invaders called themselves Tai, they came to be referred to as Āsām, Āsam and sometimes as Acam by the indigenous people of the country. The modern Assamese word Āhom by which the Tai people are known is derived from Āsām or Āsam. The epithet applied to the Shan conquerors was subsequently transferred to the country over which they ruled and thus the name Kāmarūpa was replaced by Āsām, which ultimately took the Sanskritized form Asama, meaning 'unequaled, peerless or uneven'."



While a different school of thought emphasis that it derived from Sanskrit word "Asama" meaning unequal as referring to its geology which is equal mix of river valleys and hills.[9] The British province after 1838 and the Indian state after 1947 came to be known as Assam.



For the many theories on the origin of the name, see the main article Etymology of Assam.



On 27 February 2006, the Government of Assam started a process to change the name of the state to Asom or Axom,[10] a controversial move that has been opposed by the people and political organizations.[11]

 Geography and ClimateMain article: Physical Geography of Assam

 

Assam and its Environs: Assam comprises plains, dissected hills of the South Indian Plateau system and the Himalayas all around its north, north-east and east.Geomorphic studies conclude that the Brahmaputra, the life-line of Assam is an antecedent river, older than the Himalayas. The river with steep gorges and rapids in Arunachal Pradesh entering Assam, becomes a braided river (at times 10 mi/16 km wide) and with tributaries, creates a flood plain (Brahmaputra Valley: 50–60 mi/80–100 km wide, 600 mi/1000 km long).[12] The hills of Karbi Anglong, North Cachar and those in and close to Guwahati (also Khasi-Garo Hills) now eroded and dissected are originally parts of the South Indian Plateau system.[12] In the south, the Barak originating in the Barail Range (Assam-Nagaland border) flows through the Cachar district with a 25–30 miles (40–50 km) wide valley and enters Bangladesh with the name Surma.

Assam is endowed with petroleum, natural gas, coal, limestone and other minor minerals such as magnetic quartzite, kaolin, sillimanites, clay and feldspar.[13] A small quantity of iron ore is available in western districts.[13] Discovered in 1889, all the major petroleum-gas reserves are in Upper parts. A recent USGS estimate shows 399 million barrels (63,400,000 m3) of oil, 1,178 billion cubic feet (3.34×1010 m3) of gas and 67 million barrels (10,700,000 m3) of natural gas liquids in the Assam Geologic Province.[14]



With the “Tropical Monsoon Rainforest Climate”, Assam is temperate (summer max. at 95–100 °F or 35–38 °C and winter min. at 43–46 °F or 6–8 °C) and experiences heavy rainfall and high humidity.[12][15] The climate is characterized by heavy monsoon downpours reducing summer temperatures and affecting foggy nights and mornings in winters. Thunderstorms known as Bordoicila are frequent during the afternoons. Spring (Mar–Apr) and Autumn (Sept–Oct) are usually pleasant with moderate rainfall and temperature.

Flora and FaunaSee also: Biodiversity of Assam

 

An Indian Rhino at Kaziranga National Park

A Golden Langur; endangered and found in the Chakrashila Wildlife Sanctuary in Dhubri district and in the pea-cock island of Guwahati.Assam is one of the richest biodiversity zones in the world and consists of tropical rainforests,[16] deciduous forests, riverine grasslands,[17] bamboo[18] orchards and numerous wetland[19] ecosystems; Many are now protected as national parks and reserved forests. The Kaziranga, home of the rare Indian Rhinoceros, and Manas are two UNESCO World Heritage Sites in Assam. The state is the last refuge for numerous other endangered species such as the Golden Langur (Presbetis geei), White-winged Wood Duck or Deohanh (Cairina scutulata), Bengal Florican, Black-breasted Parrotbill, Pygmy Hog, Greater Adjutant and so on. Some other endangered species with significant population in Assam are the tiger, elephant, Hoolock gibbon, Jerdon's Babbler and so on to name a few. For the State Bird, the White-winged Wood Duck, Assam is a globally important area.[20] Assam is also known for orchids.[21] The state has the largest population of the Wild Water Buffalo in the world.[22] The state also has the highest diversity of birds in India with around 820 species.[23] With subspecies the number is as high as 946.[24] The mammal diversity in Assam is also high with around 190 species[25]



The region is prone to natural disasters with annual floods and frequent mild earthquakes. Strong earthquakes are rare; three of which were recorded in 1869, 1897 (8.1 on the Richter scale); and in 1950 (8.6).



[edit] Government and Politics

Districts of Assam. Note that since 2001, four new districts have been created: Baksa, Chirang, Udalguri and Kamrup (metropolitan); and Kamrup has been renamed Kamrup (rural)Main article: Districts of Assam

Assam is divided into 27 administrative districts.[26] These districts are further sub-divided into 49 “Sub-divisions” or Mohkuma.[26] Every district is administered from a district head quarter with the office of the District Collector, District Magistrate, Office of the District Panchayat and usually with a district court.



The districts are delineated on the basis of the features such as the rivers, hills, forests, etc. and majority of the newly constituted districts are sub-divisions of the earlier districts.



The local governance system is organised under the jila-parishad (District Panchayat) for a district, panchayat for group of or individual rural areas and under the urban local bodies for the towns and cities. Presently there are 2489 village panchayats covering 26247 villages in Assam.[27] The 'town-committee' or nagar-somiti for small towns, 'municipal board' or pouro-sobha for medium towns and municipal corporation or pouro-nigom for the cities consist of the urban local bodies.



For the revenue purposes, the districts are divided into revenue circles and mouzas; for the development projects, the districts are divided into 219 'development-blocks' and for law and order these are divided into 206 police stations or thana.[27]



[edit] HistoryMain article: History of Assam

[edit] Pre-history

A ferocious lion excavated in Madan Kamdev close to Baihata Chariali in Assam representing the powerful Kamarupa-Palas (c. 9th–10th century AD)Assam and adjoining regions have evidences of human settlements from all the periods of the Stone ages. The hills at the height of 1,500–2,000 feet (460 to 615 m) were popular habitats probably due to availability of exposed doleritic basalt useful for tool-making.[28]



According to the Kalika Purana (c.17th–18th AD), written in Assam, the earliest ruler of Assam was Mahiranga Danav followed by Hatak, Sambar, Ratna and Ghatak; Naraka removed this line of rulers and established his own Naraka dynasty. It mentions that the last of the Naraka-bhauma rulers, Narak, was slain by Krishna. Naraka's son Bhagadatta, mentioned in the Mahabharata, fought for the Kauravas in the battle of Kurukshetra with an army of kiratas, chinas and dwellers of the eastern coast. Later rulers of Kamarupa frequently drew their lineage from the Naraka rulers. However, there are lots of evidences to say that Mahayana Buddhism was prominent in ancient Assam. After Hi-uen Shang's visit Mahayana Buddhism came to Assam. Relics of Tezpur, Malini Than, Kamakhya and Madan Kam Dev Temple are the evidences of Mahayana Buddhism.



[edit] Ancient

The Kamarupa Kingdom, 350 and 1140 CEAncient Assam, known as Kamarupa, was ruled by powerful dynasties: the Varmanas (c. 350–650 AD), the Salstambhas(Xalostombho, c. 655–900 AD) and the Kamarupa-Palas (c. 900–1100 AD). In the reign of the Varman king, Bhaskar Varman(c. 600–650 AD), the Chinese traveler Xuan Zang visited the region and recorded his travels. Later, after weakening and disintegration (after the Kamarupa-Palas), the Kamarupa tradition was somewhat extended till c. 1255 AD by the Lunar I (c. 1120–1185 AD) and Lunar II (c. 1155–1255 AD) dynasties.[28] Ruled by three dynasties Varman, Pala and Salstambhas from their capitals in present-day Guwahati (Pragjyotishpura, Durjaya) and Tezpur (Haruppeswara) respectively, it covered the entire Brahmaputra river valley and, at times, North Bengal and parts of Bangladesh.[29]





The Ahom Kingdom, c. 1826[edit] MedievalTwo later dynasties, the Ahoms and the Koch left larger impacts. The Ahoms, a Tai group, ruled Assam for nearly 600 years (1228–1826 AD) and the Koch, a Tibeto-Burmese, established sovereignty in c. 1510 AD. The Koch kingdom in western Assam and present North Bengal was at its zenith in the early reign of Naranarayana (c. 1540–1587 AD). It split into two in c. 1581 AD, the western part as a Moghul vassal and the eastern as an Ahom satellite state. Since c. 13th AD, the nerve centre of Ahom polity was upper Assam; the kingdom was gradually extended till Karatoya River in the c. 17th–18th AD. It was at its zenith during the reign of Sukhrungpha or Sworgodeu Rudra Simha (c. 1696–1714 AD). Among other dynasties, the Sutiya Kingdom ruled north-eastern Assam and parts of present Arunachal Pradesh and the Kacharis ruled from Dikhow River to central and southern Assam. With expansion of Ahom kingdom, by c. 1520 AD the Sutiyas areas were annexed and since c. 1536 AD Kacharis remained only in Cachar and North Cachar more as an Ahom ally then a competing force. Despite numerous invasions, mostly by the Muslim rulers, no western power ruled Assam until the arrival of the British. Though the Mughals made seventeen attempts to invade they were not successful. The most successful invader Mir Jumla, a governor of Aurangzeb, briefly occupied Garhgaon (c. 1662–63 AD), the then capital, but found it difficult to control people making guerrilla attacks on his forces, forcing them to leave. The decisive victory of the Assamese led by the great general Lachit Borphukan on the Mughals, then under command of Raja Ram Singha at Saraighat (1671) had almost ended Mughal ambitions in this region. Mughals were finally expelled in c. 1682 AD from lower Assam.



[edit] British Assam

A map of the British Indian Empire in 1909 during the partition of Bengal (1905–1911), showing British India in two shades of pink (coral and pale) and the princely states in yellow. The Assam Province (initially as the Province of Eastern Bengal and Assam) can be seen towards the north-eastern side of India.Ahom palace intrigue and political turmoil due to the Moamoria rebellion aided the Burmese to invade Assam and install Chandra Kanta Singh as a puppet king in 1817. In 1821, Singh switched his allegiance to the British, leading the Burmese to invade again. The Burmese defeated the Assamese army in 1822, and made Assam a Burmese province under a military governor-general.[30][31] With the Burmese having reached the East India Company’s borders, the First Anglo-Burmese War ensued in 1824. The war ended under the Treaty of Yandabo[32] in 1826, with the Company taking control of Lower Assam and installing Purander Singh as king of Upper Assam in 1833. The arrangement lasted till 1838 and thereafter the British gradually annexed the entire region. Initially Assam was made a part of the Bengal Presidency, then in 1906 it was a part of Eastern Bengal and Assam province, and in 1912 it was reconstituted into a Chief Commissioners' province. In 1913, a Legislative Council and in 1937 the Assam Legislative Assembly were formed in Shillong, the erstwhile capital of the region. The British tea planters imported labour from central India adding to the demographic canvas. After few initial unsuccessful attempts to free Assam during the 1850s, the Assamese since early 20th century joined and actively supported the Indian National Congress against the British.





Showing an historical incident at Kankalata Udyan, TezpurAt the turn of the 20th century, British India consisted of eight provinces that were administered either by a Governor or a Lieutenant-Governor. The Assam Province was one amongst those major eight provinces of British India. The following table lists their areas and populations (but does not include those of the dependent Native States): [33]



During the partition of Bengal (1905–1911), a new province, Assam and East Bengal, was created as a Lieutenant-Governorship. In 1911, East Bengal was reunited with Bengal, and the new provinces in the east became: Assam, Bengal, Bihar and Orissa.[33]



Table hereafter shows the major original provinces during British India that includes the Assam Province:



Province of British India[33] Area (in thousands of square miles) Population (in millions of inhabitants) Chief Administrative Officer

Burma 170 9 Lieutenant-Governor

Bengal 151 75 Lieutenant-Governor

Madras 142 38 Governor-in-Council

Bombay 123 19 Governor-in-Council

United Provinces 107 48 Lieutenant-Governor

Central Provinces and Berar 104 13 Chief Commissioner

Punjab 97 20 Lieutenant-Governor

Assam 49 6 Chief Commissioner



In 1947, Assam including the present Arunachal Pradesh, Nagaland, Mizoram and Meghalaya became a state of the Union of India (princely states, Manipur and Tripura became Group C provinces) and a district of Assam, Sylhet, chose to join Pakistan.



[edit] Post British

Assam till 1950s; The new states of Nagaland, Meghalaya and Mizoram formed in the 1960-70s. From Shillong, the capital of Assam was shifted to Dispur, now a part of Guwahati. After the Indo-China war in 1962, Arunachal Pradesh was also separated out.Since 1947, with increasing economic problems in the region, separatist groups began forming along ethnic lines, and demands for autonomy and sovereignty grew, resulting into fragmentation of Assam.



Since the mid-20th century, people from present Bangladesh have been migrating to Assam. In 1961, the Government of Assam passed a legislation making use of Assamese language compulsory. It had to be withdrawn later under pressure from Bengali speaking people in Cachar. In the 1980s the Brahmaputra valley saw a six-year Assam Agitation[34] triggered by the discovery of a sudden rise in registered voters on electoral rolls. It tried to force the government to identify and deport foreigners illegally migrating from neighboring Bangladesh and changing the demographics. The agitation ended after an accord between its leaders and the Union Government, which remained unimplemented, causing simmering discontent.[35]



The post 1970s experienced the growth of armed separatist groups like United Liberation Front of Asom (ULFA)[34] and National Democratic Front of Bodoland (NDFB). In November 1990, the Government of India deployed the Indian army, after which low-intensity military conflicts and political homicides have been continuing for more than a decade. In recent times, ethnicity based militant groups (UPDS, HPDC etc.) have also mushroomed. Regional autonomy has been ensured for Bodo-kacahri community in Bodoland Territorial Council Areas (BTC) and for the Karbis in Karbi Anglong after agitation of the communities due to sluggish rate of development and general apathy of successive state governments towards indigenous communities.



A typical octagonal Ahom coin of Ahom Dynasty.

Rang Ghar, a pavilion built by Sunenphaa Pramatta Singha (1744–1751) in Ahom capital Rongpur, now Sibsagar; the Rang Ghar is one of the earliest pavilions of outdoor stadia in South Asia.

[edit] Tea historyMain article: Assam tea



This 1850 engraving shows the different stages in the process of making tea in Assam

Tea leaves – Assam produces a significant portion of the world's teaAfter discovery of Camellia sinensis (1834) in Assam followed by its tests in 1836–37 in London, the British allowed companies to rent land since 1839. Thereafter tea plantations mushroomed in Upper Assam, where the soil and the climate were most suitable. Problems with the imported laborers from China and hostilities of native Assamese resulted into migration of forced laborers from central-eastern parts of India. After initial trial and error with planting the Chinese and the Assamese-Chinese hybrid varieties, the planters later accepted the local Camellia assamica as the most suitable one for Assam. By 1850s, the industry started seeing some profits. Industry saw initial growth, when in 1861, investors were allowed to own land in Assam and it saw substantial progress with invention of new technologies and machinery for preparing processed tea during 1870s. The cost of Assam tea was lowered down many folds and became more competitive than its Chinese variant.



Despite the commercial success, tea laborers continued to be exploited, working and living under poor conditions. Fearful of greater government interference, the tea growers formed the Indian Tea Association in 1888 to lobby to retain the status quo. The organization was very successful in this, and even after India’s independence conditions of the laborers have improved very little.[36]



[edit] DemographicsMain article: People of Assam



Woman teaworker plucking tea leaves in a tea garden of Assam

District-wise Demographic Characteristics in 2001[show]Population Growth

Census Pop. %±

1951 8,029,000 —

1961 10,837,000 35.0%

1971 14,625,000 35.0%

1981 18,041,000 23.4%

1991 22,414,000 24.2%

2001 26,656,000 18.9%

Source:Census of India[37]

The 1981 Census could not be held

in Assam. Total population for 1981

has been worked out by Interpolation.



Total population of Assam was 26.66 million with 4.91 million households in 2001.[38] Higher population concentration was recorded in the districts of Kamrup, Nagaon, Sonitpur, Barpeta, Dhubri, Darang and Cachar. Assam's population was estimated at 28.67 million in 2006 and at 30.57 million by 2011, 34.18 million by 2021 and 35.60 million by 2026.[39]



In 2001, the census recorded literacy in Assam at 63.3% with male literacy at 71.3% and female at 54.6%. Urbanisation rate was recorded at 12.9%.[40]



Growth of population in Assam has experienced a very high trajectory since the mid-decades of the 20th century. Population grew steadily from 3.29 million in 1901 to 6.70 million in 1941, while it has increased unprecedentedly to 14.63 million in 1971 and 22.41 million in 1991 to reach the present level.[38] The growth in the western and southern districts was of extreme high in nature mostly attributable to rapid influx of population from the then East Pakistan or Bangladesh.[35]



Assam has many ethnic groups and the People of India project has studied 115 of these. Out of which 79 (69%) identify themselves Template:Explanation needed regionally, 22 (19%) locally, and 3 trans-nationally. The earliest settlers were Austroasiatic, followed by Tibeto-Burman, Indo-Aryan speakers, and Tai–Kadai speakers.[41] Forty-five languages are spoken by different communities, including three major language families: Austroasiatic (5), Sino-Tibetan (24) and Indo-European (12). Three of the spoken languages do not fall in these families. There is a high degree of bilingualism.



STs in Assam There are 23 notified Scheduled Tribes (ST) in Assam with the Bodos (40.9 per cent) making half of the total ST population (around 13 per cent) of the state. The other STs (both plains and hills) include Miri, Karbi, Rabha, Kachari, Lalung, Barman in Cachar, Borokachar, Deori, Hajai, Mech, Dimasa, Hajong, Singhphho, Khampti and Garo, Chakma, Hmar, Khasi, Jaintia, Synteng, Pnar, War, Bhoi, Lyngngam, and Kuki.



[edit] ReligionsAccording to the 2001 census, there were 17,296,455 Hindus, 8,240,611 Muslims, 986,589 Christians, 22,519 Sikhs, 51,029 Buddhists, 23,957 Jains and 22,999 belonging to other religious communities.[42] The latter includes Animism (Khamti, Phake, Aiton etc. communities).



[edit] Hinduism

Kamakhya TempleThe Hindus of Assam perform several dances to practice their devotion to their Gods. One category of them is the Sattriya Dances.



Kamakhya, dedicated to Goddess Durga is the eastern-most pilgrimage of Hinduism.



Popular forms of God in Assam are Durga, Shiva, Krishna and Narayana, although several tribes practice devotion to local deities as well.



Well known saints and philosophers from Assam include Gurudev Kalicharan, Madhab, Mahadeb, and very likely Kumarila Bhatta.



Brahmo Samaj: Assam is the home of Kalicharan Mech, a Bodo Hindu who stopped the British Christian missionaries, spread ahimsa and vegetarianism. He was deeply influenced by the Brahmo Samaj.[43] He later became known as "Gurudev Kalicharan Brahmachari"[44] or "Guru Brahma". His principles were established as the Brahma Dharma. Perhaps his teachings can be summarized by his given phrase, "Chandrama Surya Narayans Jyoti", meaning, "the light (jyoti) from the sun is capable from dispelling darkness and taking people to Brahma (Narayans)."[45]



From the teachings of Guru Brahma, the "Bodo-Brahmas" (the Bodos of this sect) have boycotted alcohol, heavy dowry as well as meat-eating.



This sect is written by scholars to be Vedic and Upanishadic.[46] As per Vedic rituals, the priests perform Horn Yajna, which was begun by Guru Brahma to organize the Bodos.[47]



While the Bodo Christians today are laying stress on adopting a Roman script for the Bodo community, the Bodo-Brahmas prefer the traditional Bengali-Ahomi script.



Out of the 3,308,570 Assamese tribals reported in the 2001 Census, 90.7% were Hindus and 8.8% were Christians. There were also 6,267 Muslims, 5,153 Budhists and 3,574 Animists.[48]



[edit] IslamMuslims constitute the second largest religious group in Assam with 8,240,611 Muslims.[42]



The history of the indigenous Muslims of Assam is a long one, though many details are obscure, especially for the Assamese Muslims. A Brahmin priest from Kamrup (near the geographical middle of Assam) was reported to have converted to Islam around the 13th century.



Later in the 16th century, an Islamic saint Ajan Fakir Shah Miran and also known as Ghiyasuddin Auliya came from Baghdad to Assam to preach Islam in the area. The Masjid constructed by him is known as, The Pao Mecca mosque, Pao Mecca literally means one-fourth of Mecca. It is believed that the foundation of the mosque was laid upon a handful of earth brought from Mecca. The Pao-Mecca mosque was partially destroyed by a strong earthquake that occurred in 1897 and the dargah on the 750 ft (229 m). high Gaurachol hills is of Ghiyasuddin Auliya Ajan Fakir was buried on the hills of Gaurachol and hence the tomb on the hill is related to him, are considered sacrosanct not only by the Muslims but by people of other faiths as well.[49]



Panchpeer Dargaha, Dhurbi District, Assam: It is Mazar Sharif of five Sufi Saints who accompanied Raja Ram Singh during his time of invasion to Assam.Immigration from Bangladesh has increased the number of Muslims significantly in some areas.

[edit] ChristianityThe Bible was translated into Assamese in the year of 1819. In 1827, an attempt was made to start a Baptist church in Guwahati, but it made no permanent converts in the area. Later the American Baptist Foreign Missionary Society was able to make some headway in Guwahati. Although these earliest Christian missionary endeavors which were focused in the north-east of India, were in Modern Assam, the great success of Protestant missionaries in North-East India which they achieved in late 19th and the 20th centuries, was primarily in areas such as Nagaland, Mizoram and Meghalaya which are not part of Assam anymore.



As of 1991 only Tripura of the seven eastern states of India had a lower percentage of Christians than Assam. There were more Christians in Assam than in Mizoram even though Mizoram was the second most Christian state in India at the time.[50]



Besides the Protestants there are also Catholics. There is a Roman Catholic Archdiocese in Shillong.



According to the 2001 Census, there are a total of 986,589 Christians in Assam.[51] Out of this, 291,000 (29.5%) are tribals.[48]



[edit] Sikhism

Gurdwara Sri Guru Tegh Bahadur Sahib main buildingThe first Guru of the Sikhs, Guru Nanak Dev had visited Kamrup (Assam) in the 1505 as recorded in the his first visit in Purantan Janam Sakhi (the historical papers related to the visits and daily recorded activities of the Guru). Guru Nanak had met Srimanta Shankardeva (the founder of the Mahapuruxiya Dharma) as the Guru travelled from Dhaka to Assam. But no sangat or historical shrine dedicated to him survives as to date.



Ninth Guru of Sikhs Guru Tegh Bahadur visited Assam in 1668. This place is also famous for the Sikh Gurdwara Thara Sahib or Gurdwara Damdama Sahib which was constructed in memory atop the hillock place of meditation of the Guru in Dhubri, Kamrup. The historical site and places of interest of the Gurdwara are many times referred to as Gurdwara Sri Guru Tegh Bahadur Sahib situated in Dhubri (Assam) by the banks of the Brahmaputra .[52] The grateful Ahom King invited Guruji to the Kamakhya shrine, where he was honoured with great respect.



In the year 1820, few hundred Sikh soldiers went to Assam at the initiative of Maharaja Ranjit Singh to help Ahom rulers in a war. Their descendants are mostly concentrated in Lanka in Nagaon district of Assam.[53] Sikhs have been living in Assam for approximately two hundred years.[54]



[edit] BuddhismThe religion is practised by 51,029 persons in Assam. Among them are the Chakma and Boruas. The Chakmas of Assam are located mostly in Chachar and Karbi Anglong with very lesser presence in Nagaon district. Guwahati has lots of Buddhist temples, the most prominent being the Bamunimaidan Buddhist temple.



The Indigenous Tai tribes like Tai Phake, Tai Aiton, Khamyang, Turung, Singpho and Khampti are also buddhist by religion. They mainly inhabit Upper Assam and also Karbi Anglong.



There is also a small Bhutanese and Tibetan population in Assam.



[edit] LanguagesSee also: Assamese language, Assamese literature, Bodo language, Sylheti language, and Bishnupriya Manipuri language













Languages of Assam in 2001[55]



Assamese (57.81%)

Bengali (21.67%)

Bodo (5.28%)

Nepali (4.62%)

Mising, Karbi, Dimasa (3.66%)

Other (6.96%)Assamese and Bodo are the major indigenous and official languages while Bengali holds official status in the three districts in the Barak Valley and is the second most widely spoken language of the state (27%).[56]



Traditionally Assamese was the language of the commons (of mixed origin – Austroasiatic, Tibeto-Burman, Prakrit) in the ancient Kamarupa and in the medieval kingdoms of Kamatapur, Kachari, Sutiya kingdom, Borahi, Ahom and Koch. Traces of the language is found in many poems by Luipa, Sarahapa, etc. in Charyapada (c.7th–8th AD). Modern dialects Kamrupi, Goalpariya, etc. are the remnant of this language. Moreover, Assamese in its traditional form was used by the ethno-cultural groups in the region as lingua-franca, which spread during the stronger kingdoms and was required for needed economic integration. Localised forms of the language still exist in Nagaland, Arunachal Pradesh. The form used in the upper Assam was enriched by the advent of Tai-Shans in the 13th century.



Linguistically modern Assamese traces its roots to the version developed by the American Missionaries based on the local form in practice near Sibsagar (Siwoxagor) district. Assamese (Osomeeya) is a rich language due to its hybrid nature with its unique characteristics of pronunciation and softness. Assamese literature is one of the richest.



A page from Charyapada: 7th–8th century specimen of Assamese literatureDimasa is a one of the oldest language spoken in North East India particularly in Assam. The word Dimasa etymologically translates to "Son of the big river " (Di- Water, ma- suffix for great, sa-sons), the river being the mighty Brahmaputra. The Dimasa word "Di" for water forms the root word for many of the major rivers of Assam and the North East India like Dikrang which means green river, Dikhow which means "fetched water", Diyung ( huge river) etc. The mighty river Brahmaputra is known as Dilao (long river) among the Dimasas even now. Many of the important towns and cities in Assam and Nagaland found their names from the Dimasa word such as Diphu, Dimapur (a capital of Dimasa Kingdom), Dispur,Hojai, Khaspur, etc. In fact, Dimasa language is one of the last languages of the North East India which still has undiluted rich vocabularies.



Bodo is an ancient language of Assam. Spatial distribution patterns of the ethno-cultural groups, cultural traits and the phenomenon of naming all the major rivers in the North East Region with Bodo-Kachari words (e.g. Dihing, Dibru, Dihong, D/Tista, Dikrai, etc.) reveal that it was the most important language in the ancient times. Bodo is presently spoken largely in the Lower Assam (Bodo Territorial Council area). After years of neglect, now Bodo language is getting attention and its literature is developing. Other native languages of Tibeto-Burman origin and related to Bodo-Kachari are DEORI Mising, Karbi, Rabha, Tiwa, etc. Rajbongshi also known as Kamatapuri/Goalpariya is also widely spoken by the people of western Assam.



Nepali is also spoken in almost all parts of the state. There are approximately thirty lakhs of Nepali speakers spreading over the area of all the district of Assam. Assamese language being the main language, they are well versed in it. Assamese language is the main medium in educational institutions but Nepali language is also taught as a major Indian language. In Guwahati and Digboi, many Jr. basic School and Jr. high School are Nepali medium where all the teachers are Nepali. As a major Indian language, Nepali is included by Assam State Secondary Board, Assam Higher Secondary Council and Gauhati University in their HSCL, higher secondary and graduation level respectively, in some junior basic and higher secondary schools and colleges, Nepali teachers and lecturers are also appointed. In these institutions, Nepali and literature are taught.



There are also speakers of Tai languages in Assam. A total of six Tai language were spoken in Assam, although two are now extinct.[57]



Tai Phake

Tai Aiton

Khamti

Khamyang (critically endangered)

Ahom (extinct)

Turung (extinct)

The Tai Ahom language (brought by Sukaphaa and his followers), is no longer a spoken language today, but is receiving increased attention for research after centuries of long care and preservation by the Bailungs (traditional priests). There are also small groups of people speaking Manipuri, Khasi, Garo, Hmar, Kuki, Zeme Naga etc. in different parts.



Bengali is the official language in Barak Valley and the widely spoken language there is Sylheti, a dialect of Bengali. Bengali is also largely spoken in the western districts of Dhubri, Barpeta and Goalpara.



Santali or Santhali is also spoken widely by the tribal population in the tea garden districts of Assam. these people who were initially brought as tea estate labourers by the British to Assam have now made it their home state.



Bishnupriya Manipuri language is also spoken by a small minority of people in Barak Valley.



[edit] CultureMain article: Culture of Assam

See also: Bihu, Music of Assam, Assamese literature, Assamese cinema, and Fine Arts of Assam

Assamese culture is traditionally a hybrid one developed due to assimilation of ethno-cultural groups in the past. Therefore, both local elements or the local elements in Sanskritised forms are distinctly found.[58] The major milestones in evolution of Assamese culture are:



Assimilation in the Kamarupa Kingdom for almost 700 years (under the Varmans for 300 years, Salastambhas and Palas for each 200 years).[28]

Establishment of the Ahom dynasty in the 13th century AD and assimilation for next 600 years.[28]

Assimilation in the Koch Kingdom (15th–16th century AD) of western Assam and Kachari Kingdom (12th–18th century AD) of central and southern Assam.[28]



Dakhinpat Satra of Majuli

Presenting 'Gayan Bayan' in Majuli, the Neo-Vaishnavite Cultural heritage of AssamVaishnava Movement led by Srimanta Shankardeva (Sonkordeu) and its contribution and cultural changes.Vaishanav Movement, the 15th century religio-cultural movement under the leadership of great Srimanta Sankardeva (Sonkordeu) and his disciples have provided another dimension to Assamese culture. A renewed Hinduisation in local forms took place, which was initially greatly supported by the Koch and later by the Ahom Kingdoms. The resultant social institutions such as namghar and sattra (the Vaishnav Monasteries) have become part of Assamese way life. The movement contributed greatly towards language, literature and performing and fine arts. It is also noticed that many a times, Vaishnav Movement attempted to introduce alien cultural attributes and modify the way of life of common people. Brajavali a language specially created by introducing words from other Indian languages had failed as a language but left its traces on the Assamese language. Moreover, new alien rules were also introduced changing people's food habits and other aspects of cultural life. This had a greater impact on alienation of many local ethno-cultural and political groups in the later periods.

Historically, it is not difficult to understand that on one hand, during the strong politico-economic systems under stronger dynasties, greater cultural assimilations created common attributes of Assamese culture, while on the other during smaller politico-economic systems or during political disintegration, more localised attributes were created with spatial differentiation. Time-factor for such integrations and differentiations has also played extremely important role along with the position of individual events in the entire series of sequential events.



With rich traditions, the modern culture is greatly influenced by events in the British and the Post-British Era. The language was standardised by the American Baptist Missionaries such as Nathan Brown, Dr. Miles Bronson and local pundits such as Hemchandra Barua with the form available in the Sibsagar (Sivasagar) District (the ex-nerve centre of the Ahom Kingdom). A renewed Sanskritisation was increasingly adopted for developing Assamese language and grammar. A new wave of Western and northern Indian influence was apparent in the performing arts and literature.



Increasing efforts of standardisation in the 20th century alienated the localised forms present in different areas and with the less-assimilated ethno-cultural groups (many source-cultures). However, Assamese culture in its hybrid form and nature is one of the richest, still developing and in true sense is a 'cultural system' with sub-systems. It is interesting that many source-cultures of Assamese cultural-system are still surviving either as sub-systems or as sister entities, for e.g. Bodo or Karbi or Mishing. It is important to keep the broader system closer to its roots and at the same time to focus on development of the sub-systems.



Some of the common and unique cultural traits in the region are peoples' respect towards areca-nut and betel leaves, symbolic (Gamosa, Arnai, etc.), traditional silk garments and towards forefathers and elderly. Moreover, great hospitality and Bamboo culture are common.



[edit] Symbolism

A decorative Assamese Jaapi laid over a GamosaSymbolism is an ancient cultural practice in Assam and is still a very important part of Assamese way of life. Various elements are being used to represent beliefs, feelings, pride, identity, etc. Tamulpan, Sorai and Gamosa are three important symbolic elements in Assamese culture. Tamulpan (the areca nut and betel leaves) or guapan (gua from kwa) are considered along with the Gamosa (a typical woven cotton or silk cloth with embroidery) as the offers of devotion, respect and friendship. The Tamulpan-tradition is an ancient one and is being followed since time-immemorial with roots in the aboriginal Austro-Asiatic culture. Sorai is a traditionally manufactured bell-metal article of great respect and is used as a container-medium while performing respectful offers. Moreover, symbolically many ethno-cultural groups use specific clothes to portray respect and pride.



There were many other symbolic elements and designs, but are now only found in literature, art, sculpture, architecture, etc. or in use today for only religious purposes. The typical designs of assamese-lion, dragon, flying-lion, etc. were used for symbolising various purposes and occasions. The archaeological sites such as the Madan Kamdev (c. 9th–10th AD) exhibits mass-scale use of lions, dragon-lions and many other figures of demons to show case power and prosperity. The Vaishnava monasteries and many other architectural sites of late medieval period also showcase use of lions and dragons for symbolic effects.



[edit] Festivals

A Bihu dancer blowing a pepa (horn)

An Assamese woman in Pat Silk performing Sattriya danceThere are diversified important traditional festivals in Assam. Bihu is the most important and common and celebrated all over Assam. Durga Puja is another festival celebrated with great enthusiasm. Muslims celebrate two Eids (Eid ul-Fitr and Eid al-Adha) with much eagerness all over Assam.



Bihu is a series of three prominent festivals. Primarily a non-religious festival celebrated to mark the seasons and the significant points of a cultivator's life over a yearly cycle. Three Bihus, rongali or bohag, celebrated with the coming of spring and the beginning of the sowing season; kongali or kati, the barren bihu when the fields are lush but the barns are empty; and the bhogali or magh, the thanksgiving when the crops have been harvested and the barns are full. Bihu songs and Bihu dance are associated to rongali bihu. The day before the each bihu is known as 'uruka'. The first day of 'rongali bihu' is called 'Goru bihu' (the bihu of the cows), when the cows are taken to the nearby rivers or ponds to be bathed with special care. In recent times the form and nature of celebration has changed with the growth of urban centres.



Bushu Dima or simply Bushu is a major harvest festival of the Dimasa people. This festival is celebrated during the end of January. Officially 27 January has been declared as the day of Bushu Dima festival.The Dimasa people celebrate their festival by playing musical instruments- khram (a type of drum), muri ( a kind of huge long flute). The people dances to the different tunes called "murithai" and each dance has got its name, the prominent being the "Baidima" There are three types of Bushu celebrated among the Dimasas Jidap, Surem and Hangsou.



Moreover, there are other important traditional festivals being celebrated every year on different occasions at different places. Many of these are celebrated by different ethno-cultural groups (sub and sister cultures). Some of these are:



Me-dam-me-phi

Ali-Aye-Ligang

Kherai

Garja

Hapsa Hatarnai

Awnkham Gwrlwi Janai

Chojun/Swarak

Rongker

Sokk-erroi

Hacha-kekan

Porag

Karbi Youth Festival



























[edit] Performing artsSee also: Music of Assam

Assam has rich tradition of performing arts. Ankiya Nat (Onkeeya Naat) is a traditional Vaishnav dance-drama (Bhaona) form popular since 15th century AD It makes use of large masks of gods, goddesses, demons and animals and in between the plays a Sutradhar (Xutrodhar) keeps on telling the story. The Bihu dance and Hucory performed during the Bohag Bihu, Kushan nritra of Rajbongshi's, Bagurumba and Bordoicikhla dance of Bodos, Mishing Bihu, Banjar Kekan performed during Chomangkan by Karbis are some of the major folk dances. Sattriya (Sotriya) dance related to Vaishnav tradition is a classical form of dance.



Moreover, there are several other age-old dance-forms such as Barpeta’s Bhortal Nritya, Deodhoni Nritya, Oja Paali, Beula Dance, Ka Shad Inglong Kardom, Nimso Kerung, etc. The tradition of modern moving theatres is typical of Assam with immense popularity of many large theatre groups such as Kohinoor, Srimanta Sankardev, Abahan, Bhagyadevi, Hengul, Rajmahal, Itihas etc.





Jyoti Prasad AgarwalaAt the same time musical tradition is also rich. Folk songs and music related to Bihu and other festivals dates back to time-immemorial. Borgeet, the popular Vaishnav songs are written and composed in 15th century. Assam has large numbers of traditional musical instruments including several types of drums, string instruments, flutes, cymbals, pipes, etc.



The indigenous folk music has substantially influenced the growth of a modern idiom, that finds expression in the music of such artists like Jyoti Prasad Agarwala, Bishnuprasad Rabha, Parvati Prasad Baruwa, Bhupen Hazarika, Pratima Barua Pandey, Anima Choudhury, Luit Konwar Rudra Baruah, Jayanta Hazarika, Khagen Mahanta, Deepali Borthakur, "Ganashilpi" Dilip Sarma, Sudakshina Sarma among many others. Among the new generation, Zubeen Garg, Jitul Sonowal, Angaraag Mahanta and Joi Barua have a great fan following. There is an award given in the honour of Bishnuprasad Rabha for achievements in the cultural/music world of Assam by the State Government



[edit] LiteratureSee also: Assamese literature

Noted writers:



Dr. Mamoni Raisom Goswami

Bhabendra Nath Saikia

Lakshminath Bezbaruah

Hem Barua

Birendra Kumar Bhattacharya

Hiren Bhattacharyya

[edit] Traditional craftsMain article: Traditional crafts of Assam

See also: Assam silk



Bell metal made sorai and sophura are important parts of culture; offerings with respect are made using these during festivals and religious ceremonies and are seen as respectable items

A traditional brass dish from Assam

A page of manuscript painting from Assam; The medieval painters used locally manufactured painting materials such as the colours of hangool and haital and papers manufactured from aloewood barkAssam has a rich tradition of crafts; presently, Cane and bamboo craft, bell metal and brass craft, silk and cotton weaving, toy and mask making, pottery and terracotta work, wood craft, jewellery making, musical instruments making, etc. remained as major traditions.[59] Historically, Assam also excelled in making boats, traditional guns and gunpowder, ivory crafts, colours and paints, articles of lac, agarwood products, traditional building materials, utilities from iron, etc.



Cane and bamboo craft provide the most commonly used utilities in daily life, ranging from household utilities, weaving accessories, fishing accessories, furniture, musical instruments, construction materials, etc. Utilities and symbolic articles such as Sorai and Bota made from bell metal and brass are found in every Assamese household.[60][61] Hajo and Sarthebari (Sorthebaary) are the most important centres of traditional bell-metal and brass crafts. Assam is the home of several types of silks, the most prestigious are: Muga – the natural golden silk, Pat – a creamy-bright-silver coloured silk and Eri – a variety used for manufacturing warm clothes for winter. Apart from Sualkuchi (Xualkuchi), the centre for the traditional silk industry, in almost every parts of the Brahmaputra Valley, rural households produce silk and silk garments with excellent embroidery designs. Moreover, various ethno-cultural groups in Assam make different types of cotton garments with unique embroidery designs and wonderful colour combinations.



Moreover, Assam possesses unique crafts of toy and mask making mostly concentrated in the Vaishnav Monasteries, pottery and terracotta work in lower Assam districts and wood craft, iron craft, jewellery, etc. in many places across the region.



[edit] Fine artsMain article: Fine Arts of Assam

See also: Culture of Assam

The archaic Mauryan Stupas discovered in and around Goalpara district are the earliest examples (c. 300 BC to c. 100 AD) of ancient art and architectural works. The remains discovered in Daparvatiya (Doporboteeya) archaeological site with a beautiful doorframe in Tezpur are identified as the best examples of art works in ancient Assam with influence of Sarnath School of Art of the late Gupta period. Many other sites also exhibit development of local art forms with local motifs and sometimes with similarities with those in the Southeast Asia. There are currently more than forty discovered ancient archaeological sites across Assam with numerous sculptural and architectural remains. Moreover, there are examples of several Late-Middle Age art and architectural works including hundreds of sculptures and motifs along with many remaining temples, palaces and other buildings. The motifs available on the walls of the buildings such as Rang Ghar, Joydoul, etc. are remarkable examples of art works.



Painting is an ancient tradition of Assam. Xuanzang (7th century AD) mentions that among the Kamarupa king Bhaskaravarma's gifts to Harshavardhana there were paintings and painted objects, some of which were on Assamese silk. Many of the manuscripts such as Hastividyarnava (A Treatise on Elephants), the Chitra Bhagawata and in the Gita Govinda from the Middle Ages bear excellent examples of traditional paintings. The medieval Assamese literature also refers to chitrakars and patuas.



There are several renowned contemporary artists in Assam. The Guwahati Art College is a government institution for tertiary education. Moreover, there are several art-societies and non-government initiatives across the state and the Guwahati Artists Guild is a front-runner organisation based in Guwahati.



[edit] EconomyMain article: Economy of Assam



In the 1950s, per capita income in Assam was little higher than that in India. In 2000–01, in Assam it was INR

6,157 at constant prices (1993–94) and INR 10,198 at current prices; almost 40% lower than that in India.[62] According to the recent estimates,[63] per capita income in Assam has reached INR 6756 (1993–94 constant prices) in 2004–05, which is still much lower than India's.

A tea garden in Assam: tea is grown at elevations near sea level, giving it a malty sweetness and an earthy flavor, as opposed to the more floral aroma of highland (e.g. Darjeeling, Taiwanese) teas[edit] Macro-economyEconomy of Assam today represents a unique juxtaposition of backwardness amidst plenty.[64] Despite its rich natural resources, and supplying of up to 25% of India's petroleum needs, growth rate of Assam’s income has not kept pace with that of India’s; differences increased rapidly since 1970s.[65] Indian economy grew at 6% per annum over the period of 1981 to 2000, the same of Assam was only 3.3%.[66] In the Sixth Plan period Assam experienced a negative growth rate of 3.78% when India's was positive at 6%.[65] In the post-liberalised era (after 1991), the differences widened further.



According to recent analysis, Assam’s economy is showing signs of improvement. In 2001–02, the economy grew (at 1993–94 constant prices) at 4.5%, to fall to 3.4% in the next financial year.[67] During 2003–04 and 2004–05, the economy grew (at 1993–94 constant prices) more satisfactorily at 5.5% and 5.3% respectively.[67] The advanced estimates placed the growth rate for 2005–06 at above 6%.[63] Assam's GDP in 2004 is estimated at $13 billion in current prices. Sectoral analysis again exhibits a dismal picture. The average annual growth rate of agriculture, which was only 2.6% per annum over 1980s has unfortunately fallen to 1.6% in the 1990s.[68] Manufacturing sector has shown some improvement in the 1990s with a growth rate of 3.4% per annum than 2.4% in the 1980s.[68] Since past five decades, the tertiary sector has registered the highest growth rates than the other sectors, which even has slowed down in the 1990s than in 1980s.[68]



[edit] AgricultureAccounts for more than a third of Assam’s income and employs 69% of workforce.[69] Assam's biggest contribution to the world is tea. It produces some of the finest and expensive teas and has its own variety Camellia assamica. Assam also accounts for fair share of India’s production of rice, rapeseed, mustard seed, jute, potato, sweet potato, banana, papaya, areca nut and turmeric. It is also a home of large varieties of citrus fruits, leaf vegetables, vegetables, useful grasses, herbs, spices, etc.



Assam’s agriculture is yet to experience modernisation in real sense. With implications to food security, per capita food grain production has declined in past five decades.[70] Productivity has increased marginally; but still lower comparing to highly productive regions. For instance, yield of rice (staple food of Assam) was just 1531 kg per hectare against India’s 1927 kg per hectare in 2000–01[70] (which itself is much lower than Egypt’s 9283, US’s 7279, South Korea’s 6838, Japan’s 6635 and China’s 6131 kg per hectare in 2001[71]). On the other hand, after having strong domestic demand, 1.5 million hectares of inland water bodies, numerous rivers and 165 varieties of fishes,[72] fishing is still in its traditional form and production is not self-sufficient.[73]



The Assam Agriculture University is located at Jorhat, Assam. It is the only agricultural university for the Seven Sisters.



[edit] IndustryApart from tea and petroleum refineries, Assam has few industries of significance. Industrial development is inhibited by its physical and political isolation from neighbouring countries such as Burma, China and Bangladesh and from other growing Southeast Asian economies; ultimately leading to neglect by the federal government in regards to development – a key motivation for separatist groups.[74] The region is landlocked, situated in the eastern periphery of India and is linked to the mainland by a flood and cyclone prone narrow corridor, known as the Siliguri Corridor or Chicken's Neck, with weak transport infrastructure that have remained undeveloped since independence. The international airport in Guwahati is yet to find providing direct international . The Brahmaputra suitable for navigation does not possess sufficient infrastructure for international trade and success of such a navigable trade route will be dependent on proper channel maintenance and diplomatic and trade relationships with Bangladesh.





Processed Assam teaAssam is a major producer of crude oil and it accounts for about 15% of India's crude output,[75] exploited by the Assam Oil Company Ltd., and natural gas in India and is the second place in the world (after Titusville in the United States) where petroleum was discovered. Asia’s first successful mechanically drilled oil well was drilled in Makum (Assam) way back in 1867. Most of the oilfields are located in the Upper Assam region. Assam has four oil refineries located in Guwahati, Digboi, Golaghat (Numaligarh) and Bongaigaon with a total capacity of 7 million metric tonnes (7.7 million short tons) per annum. It is worth mentioning here that Asia's first refinery was set up at Digboi and discoverer of Digboi oilfield was the Assam Railways & Trading Company Limited (AR&T Co. Ltd.), a registered company of London in 1881.[76] Despite its richness in natural resources, the benefits have yet to improve the lives of the people of Assam.



Although having a poor overall industrial performance, several other industries have nevertheless been started, including a chemical fertiliser plan at Namrup, petrochemical industries at Namrup and Bongaigaon, paper mills at Jagiroad, Panchgram and Jogighopa, sugar mills at Barua Bamun Gaon, Chargola, Kampur, cement plant at Bokajan & Badarpur, cosmetics plant (HLL) at Doom Dooma, etc. Moreover, there are other industries such as jute mill, textile and yarn mills, silk mill, etc. Unfortunately many of these industries are facing loss and closure due to lack of infrastructure and improper management practices.[77]



[edit] TourismSee also: Tourism in Assam

Assam is the central state in the North-East Region of India and serves as the gateway to the rest of the Seven Sister States. For the purposes of tourism there are wildlife preserves like the Kaziranga National Park, Manas National Park among others. Cultural and historical destinations also provide opportunities for tourists.



[edit] EducationMain article: Education in Assam

See also: List of educational institutions in Assam



Cotton College in Guwahati initiated modern tertiary education and research in Assam and has been continuing classical and high-educational standards for more than hundred years; many of the buildings in the college are excellent examples of Assamese architecture with colonial flavours

Academic complex of IIT Guwahati

Main Building of Jorhat Engineering CollegeAssam boasts of the most wide-ranging networks of higher educational institutions in the whole of North-Eastern region of India. Assam has developed into a top educational destination at the state as well as at the national level. To enhance the status of Assam education, the state government has introduced many innovative education polices. Its capital city, Guwahati, is a key destination for higher education for students of the whole of north-eastern region. One of India's best boarding schools The Assam Valley School is located at Balipara in the Sonitpur(Tezpur) District of Assam. It is a co-educational residential school. It is an ICSE school. This article offers an understanding of Assam Education system.Assam has several institutions for tertiary education and research.



The major institutions are:



[edit] UniversitiesGauhati University, Guwahati

Dibrugarh University, Dibrugarh

Tezpur Central University, Tezpur

K.K.Handique State Open University, Guwahati

Assam University, Silchar

Assam Agricultural University, Jorhat

Bodoland University,Kokrajhar

Don Bosco University, (private)

Assam Down Town University, (private)

[edit] Medical CollegesAssam Medical College, Dibrugarh

Gauhati Medical College and Hospital, Guwahati

Silchar Medical College and Hospital, Silchar

Jorhat Medical College, Jorhat

Fakhruddin Ali Ahmed Medical College, Barpeta

Dr. J. K. Saikia Homeopathic Medical College, Jorhat

Assam Govt. Ayurvedic College, Guwahati

[edit] Government Technology and Engineering CollegeIndian Institute of Technology, Guwahati

Assam Engineering College, Guwahati

Jorhat Engineering College, Jorhat

Rajiv Gandhi Institute of Petroleum Technology, Sibsagar

National Institute of Technology, Silchar

Dibrugarh University Institute of Engineering and Technology, Dibrugarh University, Dibrugarh

Girijananda Chowdhury Institute of Management and Technology (GIMT), Guwahati

NETES Institute of Technology & Science (NITS), Mirza

[edit] Law AcademyNational Law School and Judicial Academy, Guwahati

The National Law School and Judiciary Academy, Assam is located in the capital city of Assam, Guwahati, with its permanent campus under construction at Agiyathuri, on the Northern bank of the Brahmaputra. Nestled in the midst of greenery with a campus area covering 21 acres (8 ha), the Academy will offer the right atmosphere for educational pursuits and excellence. The area is likely to increase to 47 acres (19 ha) in the near future.



[edit] See also Geography portal

Asia portal

South Asia portal

India portal

List of Assam state symbols

List of Cities and Towns in Assam

1897 Assam earthquake

1950 Assam earthquake

Assam agitation

Assamese Associations

Assamese people

Assamese Brahmins

Assam Rifles

Assamese cinema

Assamese cuisine

Assamese language

Asom Sahitya Sabha

Baruah

Bihu

Biodiversity of Assam

Charyapada

Culture of Assam

Districts of Assam

Etymology of Assam

Fine Arts of Assam

Greater Assam

History of Assam

Kalitas of Assam

Kamarupa

Kamrupi

Kamrupi Brahmins

Kamarupa Anusandhan Samiti

Kamrupi Lokgeet

Karbi

Lower Assam

Mishing

Mishing language

Music of Assam

People of Assam

Physical Geography of Assam

Political parties in Assam

State Anthem of Assam

Tourism in Assam

Traditional crafts of Assam

Textiles and dresses of Assam

Varman Dynasty

WikiProject Assam